Making the credit sequence

Credit sequence

Right now George and I are looking making a credit sequence. To be completely honest, George is doing the majority of it, I'm just watching!

We have decided to go slightly against the usual red block writing. We have gone with a blue outline, transparent text, which is quite tall and skinny. The text flickers as it comes into the sequence, and remains flickering until it leaves. This method is quite eerie and makes it seem as though something is wrong.

The background is black and dark. We can see a very faint image of a clock in the background. Throughout the credit sequence, the image is moving around this clock, and the titles are following this. 

The angles of which we see the clocks are very mysterious and fir the convention perfectly. Despite trying to be slightly original with our ideas, we have managed to keep the sequence quite conventional, whilst adding our own little twist.

We have chosen to do clocks in the sequence, as the are very fitting to our story. When we finally get the final scene into the film, we see a pocket watch on the ground. The screen then flicks to this sequence of clocks. This leaves the audience pondering on the relevance of the clocks and if these clocks mean anything to the film. "Does this mean there are more of these killings occurring elsewhere?"